Thoughts Going Crazy During Image Review

The review of an image can be a very trying undertaking at times with many signals traveling through the synapses at mach speed. Good, bad, indifferent, should I shouldn’t I. Well, if i shot it this way yes I could, but I did not so no, I can not. Will they like it, will the person it is of like it, OMG what if no one likes it. This is in the way. This looks distracting. The color is off here, that is not in focus,  eyes wrong, mouth wrong, mouth good bad eyes, expression is no good, good expression bad angle… I did like it at first but now I am not sure……

STOP.

A thousand thoughts in a matter of seconds. Actually, I have become incredibly adept at qualifying an image for release. But there are those that I remain on the fence with. I may like it, but I am still aware of the impact it will have upon the subject and will not release it if there is a question in regards to their approval. Usually happens when I know them. Yes, there are times when I feel strongly about an image and it goes out regardless. We are talking mainly about images shot during musical performances here, though all may apply to a static session just as easily.

The following image is one of those on the fence images that would not have seen the light of day if it was not for this blog entry. I think it is an awesome look from the main subject in the image, Renee, from the band Lowlight. It contains emotion, there is movement in her hair, there is a highlight on her hat, and you can see the strings vibrating from the E chord. Good shadows, good highlights.  Awesome image, she is feeling it. But, there are too many distractions for me. A guitar neck, a hand,  half a body and a bit of the keyboard destroys it for me. Poor framing on my part. Or just me having a bad case of OCD.

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Sometimes in these situation you can not avoid the extra items in the frame. That is why we press the button so many times. Always looking for the correct image. Not the perfect image, the correct image. So we remain conflicted.

And while there are fixes available, it is a no-no in my book for these events. Mine is a journalistic approach in this arena. What we see is what we get. We will let the studio sessions be the muse for the creative outlet kind of stuff. Do kinda like it though.

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I did talk to Renee about the image and what I wanted to do. Always communicate. It makes things so much easier. I get the image frustrations off my chest and in this case, we even got it out in the world.

So if someone tells you it could take up to three weeks for your photos, it is ok. Let it. And remember they are probably going nuts trying to get them ready for you. Literally.  Of course when you have a deadline there will be no fussing about.

Thanks for stopping by! Till the next time…..

Phil

 

Hanging Out with Lowlight

I have been shooting a lot of music over the past 18 months and have witnessed some incredible musicians in the process. I have been wanting to shoot promos for bands for a bit now, however I had never marketed that side of me to the groups. To most of them I am just a photographer who takes bad ass photos at their shows and posts them on the music blog I shoot for. The portrait side of things have been getting busier for me and this has coincided with landing my first musical client.

Lowlight is self-described as Roadhouse Chic, which in my words means a mixture of folk, NJ country and good old rock n roll. I see vocalist Renee Maskin quite frequently at The Wonder Bar for a weekly series called Happy Mondays. I have also seen them perform numerous times at a few different venues in the area. We got to talking one night and the next thing you know we were looking for dates for all of us to get together.

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The hardest part of course was finding a date that worked for all of us and the selection of a location. We both preferred a woodsy setting but weather and time of day were not going to allow that to happen. We will be hitting up the woods in the spring though to fulfill both of our visions. They are also looking for that elusive and steady fifth member so it will be perfect timing. We settled on a small ranch house that was teaming with antiques, paintings, pictures and some very interesting artifacts.

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This gang is a very chill bunch, laid back and easy-going so the house setting worked perfect. Managing to utilize a few different areas, we achieved our objective of material for them to utilize in their upcoming projects. And even had a few extras to boot. I was working with one light and an umbrella for all the shots for those interested.

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Be sure and have a listen and if you are in NJ go check them out. Make sure you buy them some whiskey too. Really fun times.

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Bands interested in a session give me a shout at – info@pshepherdphoto.com. Love to hook up and get you going.

Thanks for stopping by! till next time…

Phil

Anatomy of a New Smoke Machine

Life does have its weird way of coming back around. Back in the early nineties, the band I was playing in had no interest in playing at the Wonder Bar in Asbury Park, NJ. For whatever the reason back then, it had no appeal to us. And now I am there on a regular basis.

About 18 months ago I picked up a gig with the music review site, Speak into My GoodEye, and this started a regular weekly adventure for me shooting bands every Monday night at the Wonder Bar. The Wonder Bar is one of the premiere music venues in Asbury Park, offering some great local music as well as national touring acts coming through.  Recently, sound man extraordinaire Billy Colledge from Asbury Audio installed a new smoke machine and I came across a set a shots that perfectly emulate its nature.

I love smoke. It makes everything look so much better, giving depth and personality to the photos.  Tough when it hides the drummers, but so cool under the stage lights. And for those on stage right, we are almost guaranteed of a good photo. Red lights still kill, but black and white is beautiful.

The following shots depict the beginning of the waft of smoke and finally overtaking the stage and creating some striking images as a result:

Just Before:

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and here it comes

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My two favorite images from the whole sequence

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I often find it is the simple things that excite me, but there is nothing simple about capturing images conditions.  The musician in the photo is Andrew Milea, front man for Wild Americans. He has a great look and a super groove. If you are local, stop by on a Monday night and check out the tunes. And keep your eyes peeled for some other great shows that go down at the venue.

Thanks for stopping by!

Phil

The Back to My Roots Tour

The Back to My Roots Tour, as I am labeling it, has led me out of retirement and back into the local music scene. Well, sort of. For this go round, rather than me being on the stage and performing, I am in the crowd, camera in hand, documenting the nights groups for the web based music review site Speak Into My Good Eye. A big thanks to Chris and Mike for bring me on board. I have been introduced to some great bands, met some fantastic people and witnessed some of the frenzy that has reemerged in the Asbury Park, NJ music scene.

If you are familiar with me, you may know that I shoot with a Canon 7D which is not the greatest camera when it comes to low light captures. Night clubs/bars are small and the lighting is less than stellar for photographs. Red Wash is a bitch. Many, if not most of the other photographers I have shot with have used flash. So to be different, I did not. I did not to a point of stubbornness. This resulted in some very soft images. Yes, I overshot a bunch in order to get the right combination of red/green/purple/blue/yellow lights in the image to satisfy my desires and I tried not to take the easy way out and just convert them to b/w unless they really screamed convert me!

Some of my favorites from July’s shows:

There came a point sometime in the later part of September in the main club I shoot at that they changed their front lights and gelled them. I had to break down and start using a flash to compensate. Even though I have a Rogue Grid attached to retain some of the color depth on stage, I still am very hesitant with using a supplemental light source due to the effects it has on the performers. The ones I have spoken to say they do not even notice but stealth mode is no longer possible. The good thing about it is that I am shooting 50% less than I did without a flash. And color wash is not as big of a concern. Trials and tribulations.

I have never been all that comfortable with on camera flash, much prefer having them off camera. Maybe one day when I am not the new guy on the scene anymore I will be able to set a few up around and on the stage and really create some drama. A 5DIII is not anywhere in my near future but how I would relish the chance shooting at 6400 iso without a worry at all.

Some shots using flash:

And sometimes, you just never know what will appear during a set…

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Thanks for stopping by! Till next time…

Phil