Author: Phil Shepherd

All About the Folk

| Phil Shepherd

Music that is. I am always amazed how different genres of song influence the soul. By nature I am a progressive hard rocker, raised on Zeppelin, Aerosmith, Yes and Genesis with a ton of Rush thrown in. These days it Sevendust, Shinedown and Godsmack laying a base for me along with a bunch of other rockers getting playtime. Need to put a quick shoutout in for Badflower, who have been on the top of my playlist for the past two months.

And then, there is the other side. It is like a split personality carving out a large part of my musical wanderings. The mellower but just as energetic persona influenced by Folk music. My favorite songs over the past few years have been from The Lone Bellow and John Mayer. Perhaps it is because I have the blood of a southerner but was raised in the Northeast. Does it matter? Nope.

Many of my local favorites are based on the softer, more passionate side of my interests. I was very excited when Joseph Miller answered the call and expressed interest for a sitting. It was just over three years ago when I first saw Joe strum his acoustic at a show. And at the time I could not resist sniping this candid of him next to the bill, checking out the history of the Wonder Bar while he was waiting to go on stage.

We hooked up over the holidays to create some material for him to use in for some upcoming promos. After a little catching up we got right to work. I did not even let him take his coat off, it fit the color scheme nicely.

Running the patterns, I am always one for a more dramatic look

The guitar came out of course and we had a little fun with that, coming away with a few different looks. I will always leave space on one side or the other for typeset with images. Need to provide content that is easy and suitable for use.

One of my favorites, and I think one of Joe’s as well. This one is for the walls!

You can check out Joe along with his work and whereabouts right here!

Thanks for stopping by!

Phil

Kicking off a new body of work

| Phil Shepherd

I started a personal project back in December with a goal of developing a body of work geared towards promotional material for the musicians I cover. And, while I am not out there as much as I want to be I still pay attention to what goes on and who is where, hoping that this little thing called life slows down for me again soon so I can get back to the scene I love so much.

I had a few bites from the posting I put out, fell a couple short of the goal, but spring weather approaches and with it the attempts to finish out my initial shot list. Most of the musicians I have shot so far I have followed or covered for a few years so it was really cool getting them into a controlled environment for a change. The first one up was soft spoken, dreamy, singer songwriter Mackenzie Brown.

I have wanted to get Mackenzie into the studio for a while now for more than just promo material, she has a great look and was a perfect subject for my foray into colored gels. And while our time was short, towards the end of our session I did find a good combination of lights and gels that work great together. Of course I had to start out without the gels just so we could have some “normal” material to work with. I also messed around with some color grading, making use of some new Lightroom presets and LUTS in Photoshop.


This next image I honestly have no recollection on the base configuration and what treatment was done to it in post. But it is totally different from the rest of our series and is one I am still tweaking away at to this day. I might have just jacked up the power on the background light and perhaps a blue gel was added as well.

As we got in the groove (…I stopped screwing around…) we began to create some stunning material and things really began to click. I love this classic look and the hint of a blue gel adds nice contrast to her hair and shoulder.

One of my favorite looks from our session. There is so much to be said about someone who can pull off an expression like this. Mackenzie has perfected the no smile, retain a personality look which is incredibly hard to do. Of course one of the reasons I wanted to get her in to begin with .

I could not resist making a crop of it. I also left the background alone.

More gel play as the weather turns. I have a good combination that I can work with and now it is all about experimenting with the set up and getting comfortable with the boundries. You can check out Mackenzie’s music here, and more to come from the artists and groups that have visited.

Thanks for stopping by!

Phil

Dance Season is Upon Us

| Phil Shepherd

Seems appropriate that I get off my duff and continue where I left off at the end of last summer when I was trying out some new lighting gear. A blurry few months have shot by and it is a new year now, with dance season bearing down upon us. For the next five months many of my weekends will be spent glued to the viewfinder with hundreds of competition dancers leaping across the plane of my lens. I can only hope the light is good during these events as we are subject to the confines of the stage we are visiting. Ain’t no flash here.

The second go round I had with the Flashpoint Xplor Pro 600 back in the fall was just as awesome as the first. Mary Cate was the subject for this particular evening, and even though we did not get much color in the sky, the fact finding mission was accomplished and we captured some great material in the process.

Mary Cate is a dancer of course, long and lean with some great lines. To refresh, I was checking out the high speed sync capabilities so my shutter speeds were upwards of 4000 with the tele lens at 2.8, and 2000 with the wide at 4.0. Since this time I have become a big fan of this series of light, and at half price or better from the big boys, very well worth it.

I think the biggest challenge when shooting during a setting sun is the large change that happens in natural light in a very quick time span. The constant evaluation of meter readings can be a pain but once you get a base, should not be that bad. Grabbed this on while the sun was still reasonable, but no clouds to play with so a little flare:

Then after a bit it came time for another base exposure

And then the real fun began:

The final series of the night and a look that seems to have become very popular in the dance world. Or maybe it has always been and I just have not seen it much. Either Way…

It was great having some one on one time with the dancers, always a pleasure getting them in this environment. Spring should be right around the corner, though we really have not had much of a winter yet, so as soon as it warms up I will get them back out there. In the meantime to the stage we go!

Thanks for stopping by, Talk to you soon!

Phil

My First Go Round with High Speed Sync

| Phil Shepherd

Being someone who likes action oriented photos as much as I like the static ones, I have always wanted to get into high-speed sync. The Canon 430 used on camera does a decent job, if you are close, but I have always wanted something with a bit more juice to it. Not having the budget to purchase a desired Profoto or Broncolor unit, I went all in on the Flashpoint Xplor 600 Pro, half the cost of the others.

There is quite a bit for me to still learn about it, but as soon as I got it I secured my test subjects and went into HSS mode. I will go over more of the features in a future offering, this one was all about fast shutter speeds.

The majority of my outside sessions involve a setting sun, I love the combo of a lit subject and a colorful, scenic background so these images are some of what went down on the first day of tests. This image is one of the last of the evening, and while you do not necessarily need to shoot HSS to achieve it, I did it anyway. f4.5 at 1/1250.

Allie used to be one of my dance girls so I have known her for a number of years, but never had the opportunity to get in a session with her. Allie does not dance competitively anymore, but she does cheer so she still has those pliable abilities and of course we got them out.

f4.5 1/1250

Solid result. Crisp, mid-air edges. I think I was still using a soft box here so we got some pretty good flash coverage area. Funny thing, these images are six weeks old and it is the first time I am noticing that yellow sign.

Since we seem to be going in reverse order here, this next image was shot at f4, 1/2500th of a second. It did not make the final selections – I am all about the face – but I am impressed with the stopping power. The light provided just enough detail in the image and 1/2500th caught Allie with hands just off the ground and the sand in the air.

I originally thought this next image could be obtained just using a reflector. After studying it, I do not think it would be possible. F3.2, 1/4000th of a second. Soft box just above head and pointing down.

One of the first images of the evening while we were getting dialed in with light and position. Another at 3.2 4000.

I was very happy with my first foray into high speed sync and the Flashpoint xplor600 pro. Be back soon with our next adventure with the new gear.

Thanks for stopping by!

Phil

 

No Tolerance for Ignorance

| Phil Shepherd

I need to get back and pay attention to this area of my life. Growing up I thought life was supposed to get easier as you got older, it seems to be steamrolling right along, without a chance to step back and relax. I have started to make time for doing nothing, just to try and clear the mind and body. Gym time stays in the loop three or four days a week, but certain things have definitely taken a back seat as of late. When you sit in front of a computer for most of the day, you kinda want to stay away from it at night. It just saps your energy.

I was sitting outside tonight, watching the sun set, it was pure and peaceful. I always want to find somewhere to capture it, but I have shot at most of the good locations around here and have no desire to drive more than needed. [discovered a couple new locations last week!] Plus I have run out of room on the walls and the last thing we need are more digital only images. I like to hold and remember the moment, not just look and move on.

Anyway, what prompted me to get going here is a comment that was thrown at a coworker I recently shot. Melissa has busted her ass for two years, transforming her life and her health during that time to become an award winning body builder. TWO YEARS. In her first competition she did not place, this was around one year after she began her journey. In her second one, another year later, she placed second in two different categories! Busted her ass, full time job, mom, wife, homeowner and she got it done!! If that is not bad ass I do not know what is.

So just a few days ago someone told her she looked like a man. Ummmmm, not. Why, because she is fit?  Just stop. Intimidated perhaps? Should be, I am and I am fairly confident with my appearance. (The over 50 belly and loose neck skin has made its way forward) What is wrong with people these days. I would challenge anyone to put in half the effort that Melissa has put in. So that comment kind of bothered me and was just the spark I needed to get going here.

During the actual competitions, it is all bikinis for these ladies, but for the sessions I like pure fitness. This may be adjusted if we shoot again, just to stick it to a few people. I have never appreciated shooting scantily clad bodies for the simple fact I feel it degrades the person. How is that for old fashioned thinking. Eyes, hair, face and shoulders are all I need.

We tried a couple of different looks during the session, played with some gels a little and even got the atmosphere aerosol out for a long burst. I am still feeling a bit confined in my space, the low ceilings especially weigh on me, but Grids are good and light is just light after all. I just added one to the inventory for my favorite outside shoots. Touch base on that one in the next offering.

Thanks for stopping by, get out and get it done!

Phil