The Beauty of the Face and its Subtleties

My favorite thing about portrait photography is capturing the subtleties of the face. How micro expressions develop out of the smallest of movements and adjustments.

A little twitch, a minor change in posture, the smallest rise of the eyebrow can bring an image from ok to wow in a fraction of a heartbeat. This is beautiful. What landscape photographers possibly wait an hour or more for, those who capture people can attain in seconds. Now, of course in both instances the subjects have to cooperate and both could strike out and gain not a thing but one has control over their subjects and the other is at the mercy of mother nature.

My last session of 2015 was with a dancer that had a look I noticed down at the school while shooting rehearsals last spring. A look that screamed to be captured. This has happened more than once for various reasons, but this instance spoke volumes, moved me quite a bit. And it was all about the look of the face.

Christmas Holidays gave her mom and I the time needed to schedule the session. Fanfreakintastic is was. Still going through all the images but I came across this series of eight successive images that reveals what drives me in creating portraits. Each frame is different, each look unique. Some work, some do not.

The first two images are the concluding run of some keepers, then I lost her for a minute before getting her back. Processing was just some minor tweaks in Lightroom, none of these have been retouched yet. Kylie_PShepherd-23-2Kylie_PShepherd-24-2

I started losing her here a bit as we transitioned into a different feel. This is where the subtle movement comes in. I always capture the transitions, you never know what will come out of them. The fortunate thing about the digital age. Kylie_PShepherd-25-2Kylie_PShepherd-26-2Kylie_PShepherd-27-2

Those times when you wish you remembered what you said to get this reaction. Probably threw out a Hurleyism. Kylie_PShepherd-28-2Kylie_PShepherd-29-2

Transition complete, we have a winner. A completely different look seven images later and some fun in the process. How beautiful is that!  Kylie_PShepherd-30-2

Looking forward to many great things in 2016. I wish all of you a great transition in to the new year as well.

Thanks for Stopping by, drummers will be coming soon! Till next time…

Phil

Honing In

The past couple of years has been a whirlwind of learning for me while pressing that little button. I think I am close to developing  a consistent style, but am still searching for that consistent look to my images. The last couple of months I have been narrowing down that look a bit trying to hone in to something concrete. I think I do not shoot enough in the studio yet to really dig into something viable, being only part time, but I have created many images I am proud of.

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We are mainly talking about people here. People in my studio. My nature images are beautiful, I think, but not my forte. They come from an allure of being smitten by what mother nature presents to us. Soulful and heartfelt. Though now whenever I feel the follicles raise, I make sure and capture something I can use with my portrait work as well. I suck at making selections, but I love blending textures and overlays. This I am sure will lead to composites sooner than later. Growing in to that one slowly but surely. Love Joel Grimes, and I have been following Renee Robyn lately. She is the definition of cool.

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I love the music images, but we are so dependent of the venue for usable light, I throw away more than I keep. For the record I think flash in rude in this scenario. Yes, sometimes, when allowed, it is necessary. But then you lose what you see. I have not used flash at a gig in forever, but when I did, or when I will, I utilize a rogue grid to maintain as much ambient feel as possible.  Defined direction of light. And while this is for a different post, the majority of the time, gear does matter!

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I love head shots for the purity of the image. There are many definitions about what a head shot is and how it looks and I have seen images that have been called head shots but I call a portrait. It’s all in the application of the image I suppose. I am a disciple of the Peter Hurley style of head shot. Pure, head and shoulders, simple background. All about the expression. And in this age of social imaging, having a good head shot is so important. Yup, I still need one too.

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And usually at the end of a session, before we go, things get a little unpredictable

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The journey will continue. I will continue to grow, everyday is a learning experience which is embraced and cherished. There are a few people who are on my radar, some visions I need to fulfill and I am expanding into a few different arenas. I think 2016 is going to be a fantastic year.

Happy Holidays!

Thanks for stopping by, till next time!

Hanging Out with Lowlight

I have been shooting a lot of music over the past 18 months and have witnessed some incredible musicians in the process. I have been wanting to shoot promos for bands for a bit now, however I had never marketed that side of me to the groups. To most of them I am just a photographer who takes bad ass photos at their shows and posts them on the music blog I shoot for. The portrait side of things have been getting busier for me and this has coincided with landing my first musical client.

Lowlight is self-described as Roadhouse Chic, which in my words means a mixture of folk, NJ country and good old rock n roll. I see vocalist Renee Maskin quite frequently at The Wonder Bar for a weekly series called Happy Mondays. I have also seen them perform numerous times at a few different venues in the area. We got to talking one night and the next thing you know we were looking for dates for all of us to get together.

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The hardest part of course was finding a date that worked for all of us and the selection of a location. We both preferred a woodsy setting but weather and time of day were not going to allow that to happen. We will be hitting up the woods in the spring though to fulfill both of our visions. They are also looking for that elusive and steady fifth member so it will be perfect timing. We settled on a small ranch house that was teaming with antiques, paintings, pictures and some very interesting artifacts.

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This gang is a very chill bunch, laid back and easy-going so the house setting worked perfect. Managing to utilize a few different areas, we achieved our objective of material for them to utilize in their upcoming projects. And even had a few extras to boot. I was working with one light and an umbrella for all the shots for those interested.

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Be sure and have a listen and if you are in NJ go check them out. Make sure you buy them some whiskey too. Really fun times.

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Bands interested in a session give me a shout at – info@pshepherdphoto.com. Love to hook up and get you going.

Thanks for stopping by! till next time…

Phil

Anatomy of a New Smoke Machine

Life does have its weird way of coming back around. Back in the early nineties, the band I was playing in had no interest in playing at the Wonder Bar in Asbury Park, NJ. For whatever the reason back then, it had no appeal to us. And now I am there on a regular basis.

About 18 months ago I picked up a gig with the music review site, Speak into My GoodEye, and this started a regular weekly adventure for me shooting bands every Monday night at the Wonder Bar. The Wonder Bar is one of the premiere music venues in Asbury Park, offering some great local music as well as national touring acts coming through.  Recently, sound man extraordinaire Billy Colledge from Asbury Audio installed a new smoke machine and I came across a set a shots that perfectly emulate its nature.

I love smoke. It makes everything look so much better, giving depth and personality to the photos.  Tough when it hides the drummers, but so cool under the stage lights. And for those on stage right, we are almost guaranteed of a good photo. Red lights still kill, but black and white is beautiful.

The following shots depict the beginning of the waft of smoke and finally overtaking the stage and creating some striking images as a result:

Just Before:

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and here it comes

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My two favorite images from the whole sequence

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I often find it is the simple things that excite me, but there is nothing simple about capturing images conditions.  The musician in the photo is Andrew Milea, front man for Wild Americans. He has a great look and a super groove. If you are local, stop by on a Monday night and check out the tunes. And keep your eyes peeled for some other great shows that go down at the venue.

Thanks for stopping by!

Phil

The Sun Dancers

An early morning began with the intent to get in some sunset images on a full frame body I was trying out. But I am a people person, and as we progressed throughout the afternoon, I asked my wife and daughter to join in. When they said sure, I thought getting my daughters dance team sister in the mix would be a great idea too! Little did I know that we all would be so taken with the images we created. But after all, that is always the end goal, right?

One image in particular struck a nerve for all of us, and when I shared it with her mom, one of her close friends, who just happens to be a writer, commented on it. Having previously collaborated with her on an image I asked her if she would be willing to have a go at this one.

The words were inspired by this image:

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SUN DANCER

A blazing orange sunset

visits the shore.

Sun-drenched love from sea depths

kisses the chin of grace.

Pointed toes and sculpted limbs

adorn the beach

with the beauty of balance.

 

The audience to this sand ballet

is the surface of the sea itself –

reflecting back to the shore

a dance of freedom.

 

Color melts from the sky

in hues of caramel and mango.

The body moves to the rhythm

of storied waves and unfinished tales.

There is so much still to be written

with each fluid movement

of arched back

and essence reaching to the sky

in prayer.

  Cristina M.R. Norcross ©2015

Cristina is the Managing editor at Blue Heron Review as well as an established author. You can take in many of her poems and other writings on her writers blog.

This is our second collaboration together and if our children and mother nature are willing, we will create some more art in the future. If you would like to read the first one it can be viewed here.

Thanks for stopping by!

Phil